The sun rises over Lagos not with a whisper, but with a roar, and in 2013, the heart of the Ejigbo market was beating with a frantic, desperate energy that no one knew would soon turn to tragedy. It is a place where the air tastes of salt, dried fish, and the exhaust of a thousand idling yellow buses, a place where thousands of lives intersect over the exchange of a few Naira notes. But on this particular Tuesday, the rhythm of "fine boy come buy" and the clatter of metal bowls was shattered by a single, piercing scream that would change the history of this market forever. It began with something so small it seems impossible—a dispute over a basket of peppers—but in the heat of a Lagos afternoon, small sparks turn into infernos in the blink of an eye. Nike’s finger was like a dagger as she pointed it at the accused, her voice cracking the humid air with the word "Ole!" and suddenly, the bustling community transformed into a judge, a jury, and an executioner. You could feel the shift in the atmosphere as the casual chatter died away, replaced by a low, rhythmic humming of a crowd that had found a target for all its frustrations and its pain. Juliana Agomo stood there, frozen as the circle closed in, watching as the people she had traded with for years suddenly became strangers with stones and sticks in their hands. The dust of the market floor rose up to meet the heat, thick and choking, as the first blow landed, and the cries for mercy were swallowed by the collective roar of a mob that had lost its humanity in the pursuit of a twisted kind of justice. We have to ask ourselves what a life is worth when it is weighed against a vegetable, and how a mother, a daughter, or a sister can be stripped of her dignity in the very place she came to provide for her family. As the hours dragged on, the market square became a cage of noise and violence, a scene so dark that even the bright Nigerian sun couldn't seem to light it up, and the victims realized that the people they called neighbors were now the ones holding the matches. Even when the sirens finally cut through the chaos, the damage was etched into the earth; the physical wounds were deep, but the psychological scars on the community of Ejigbo were deeper still, leaving a stain on the soil that no rain could ever wash away. For those who were dragged away from the market and thrown behind the cold, iron bars of a prison cell, the nightmare simply changed shape, shifting from the heat of the sun to the damp, silent darkness where a single ray of light is the only connection to the world outside. In that silence, the echo of the market's rage still rings in the ears of the survivors, a constant reminder that survival has a price that some people are still paying every single day of their lives. Now, when you walk through Ejigbo, you see the same stalls and you hear the same shouts of the traders, but if you look closely at the shadows behind the pepper baskets, you can still feel the weight of 2013 lingering there. This is not just a story of a crime, but a mirror held up to all of us, asking what we become when we let fear and anger take the lead instead of compassion. The story of Ejigbo is a heavy one, a burden we carry so that we never forget the names of those who suffered, ensuring that their cries for justice aren't just lost in the wind but are used to build a future where the market is a place of life, not a place of ending. As the sun sets today over the zinc roofs and the stalls are packed away, the silence that falls isn't just the end of a business day; it is a moment of reflection for a city that has seen the best and the worst of what it means to survive in the heart of Lagos.